The celebrated Biennale de l’Image en Mouvement is staged at the Centre d’Art Contemporain Genève until 3rd February. One of the first events of its kind, the Biennale de l’Image en Mouvement was founded in 1985 in Geneva and was reinvented in 2014 as a platform for producing new works. It is organised by Andrea Lissoni, Senior Curator, International Art (Film) at Tate Modern, and Andrea Bellini, Director of the Centre d’Art Contemporain Genève.
For this 2018-19 edition, it transformed by an innovative project. Inevitably, this edition of the Biennale explores the status of the moving image and its exhibition format, building on the idea that the era of projection on screens is coming to an end, and will give way to environments that reverberate with the radiant echo of their implosion.
Highlights include videos by artists Lawrence Abu Hamdan, Fatima Al Qadiri & Khalid Al Gharaballi, Korakrit Arunanondchai, Ian Cheng, and Tamara Henderson, each with a work commissioned and produced by the Biennale de l’Image en Mouvement.
Ligia Lewis offers a preview of her new choreography—the final part of a trilogy—co-produced by the Biennale with the HAU Hebbel am Ufer in Berlin; musician Elysia Crampton will present a new live work, and artist Pan Daijing will premiere a performance piece.
Ten films and single-channel videos, made for theatrical screening, have been commissioned from Sarah Abu Abdallah, Neïl Beloufa, Irene Dionisio, Kahlil Joseph, James N. Kienitz Wilkins, Tobias Madison, Florent Meng, Bahar Noorizadeh, Eduardo “Teddy” Williamsand Leslie Thornton & James Richards. These films and videos, like all of the installations in the exhibition, have been commissioned and produced by the Biennale; together, they form an extraordinary series of new works that will be premiering at the Centre d’Art Contemporain Genève and in other venues around Geneva during the opening week, from November 8 to 11, 2018.