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Calder After the War
, presented at Pace London, 6 Burlington Gardens, features more than twenty-five mobiles, stabiles, and standing mobiles installed on the gallery’s ground floor.

The exhibition extends to the gallery’s newly renovated first floor, where over twenty of Calder’s rarely-seen paintings and gouaches from that same period are on view until 7 June.

Calder After the War will feature more than twenty-five mobiles, stabiles, and standing mobiles installed on the gallery’s ground floor. The exhibition will extend to the gallery’s newly renovated first floor, where over twenty of Calder’s rarely-seen paintings and gouaches from that same period will be on view.

Masterpieces such as Baby Flat Top (1946), Little Parasite (1947), and Blue Feather (c. 1948) will be included in the exhibition, as well as distinctive works like Scarlet Digitals (1945), Red, White and Blue on Black (1948), and Louisa’s 43rd Birthday Present (1948), a collection of five miniature standing mobiles and the felt-lined cigar box that Calder created to store them.

Calder’s 1930 visit to Piet Mondrian’s studio set in motion his pursuit of wholly abstract compositions in two and three dimensions. With his 1931 invention of a groundbreaking form of artwork termed the “mobile” by Marcel Duchamp, Calder successfully synthesised European Abstraction, Surrealism and Dada with an American passion for invention, discovery and forces of nature. Calder’s creative genius resulted in the redefinition of art beyond composition and material, as well as the liberation of the artwork from a static base and the true participation in the three-dimensional universe.

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