Under the artistic direction of Anthony Vaccarello, Galerie Patrick Seguin in Paris is hosting an evocative exhibition that bridges two visionary worlds: the couture of Yves Saint Laurent and the modernist design of Charlotte Perriand. Running from 23 October to 22 November 2025, Saint Laurent Charlotte Perriand brings together four meticulously recreated pieces originally designed between 1943 and 1967, offering a rare glimpse into the shared sensibilities of these two cultural figures.

The exhibition stands out not merely for its craftsmanship but for its conceptual frameworks. Each piece, whether reconstructed from archival drawings, original maquettes, or one-of-a-kind models, faithfully embodies Perriand’s modernist vision. Her work, celebrated for its pure modernity and functional elegance, resonates strikingly with Saint Laurent’s couture, which similarly combined innovation with timeless form.

This collaboration sheds light on the depth of Yves Saint Laurent’s admiration for Perriand (1903–1999), a contemporary whose pioneering approach to space, materials, and design informed and complemented the world of fashion. It is a rare opportunity to witness how the principles of modernist design can intersect with Haute Couture, creating a dialogue that transcends decades.

Located at 5 rue des Taillandiers in Paris’ 11th arrondissement, the exhibition is open to the public free of charge.

The picture is of the Sofa for the Japanese Ambassador’s Residence, Paris (1967–2025). In 1966, Japanese architect Junzô Sakakura commissioned Charlotte Perriand to design the interiors and furniture for the new residence of the Japanese ambassador in Paris. For the grand reception room, Perriand created a monumental five-seater sofa, over seven meters long, whose soaring curved sides and recessed legs give it an impression of floating. The caned flanks add visual lightness, while the design’s scale and elegance define the room architecturally. Nearly six decades later, with the Japanese Embassy’s guidance, this exceptional piece has been faithfully reproduced in a limited edition of eight, preserving every detail of Perriand’s original vision.

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